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PRIZE FABRIZIO DE ANDRE '2010


“Parlare Musica”- Roma – 24, 25 Settembre

MORGAN, VECCHIONI E CAROTONE GLI OSPITI DEL PREMIO DORI GHEZZI parteciterà alle due serate



CON IL PATROCINIO THE FOUNDATION ONLUS Fabrizio De André "

be held in Rome next weekend, Friday 24 and Saturday, September 25, the two closing nights of the ninth edition of the PREMIO FABRIZIO DE ANDRE 2010" Talking Music ".

The location can not be that Piazza Fabrizio De André, in the district Magliana.

The Award is organized by the Mona Lisa Company Ltd., under the artistic direction of the journalist Massimo Cotto and Louise Melis.

Dori Ghezzi, widow of Fabrizio, participate in two nights as President of the Jury.

Friday, September 24: Guests Roberto Vecchioni, Morgan and Andrea Rivera. It will open the evening Andrea Epifani, winner of the Prix de Andre 2009, the "Songwriters."

the final evening of Saturday 25, Tonino Carotone, Marco Fabi, the journalist Dario Salvatori, the band Khorakhanè and Orchestralunata, composed of 20 elements (children ages 7 to 17 years conducted by Maestro Maurizio Gregori).

Roberto Vecchioni and Dori Ghezzi Morgan will receive from the license plates of the Premio De Andrè.

For the songwriter, Milan will be an award for having been able to imbue that feeling that it was proper to Fabrizio De Andrè, the song of poetry, what is the daughter of literary references and the one that breathes the common people. For being able to photograph weaknesses of the great characters, because behind each domain there is a whiff of weakness that can become wind storm. And he also knew how to sing and treat life and death with the same charm, with the same disenchantment. "

For Morgan, however, a reward for having re-read with sensitivity and magnitude of an album Fabrizio, "not the money to heaven or not," but also - add the organizers of the award, on the plate that will be given - for always having fled, art and private life, the hypocrisy, the word for granted or not said. To be short, was true man in a world often inhabited by replicating, even in its errors and its undeniable human weaknesses, this is similar to one of the characters sung by Fabrizio, who also maintain their dignity when they are wrong, because only those who strip does not stumble. "

Massimo Cotto Luis Melis and are proud to award the Premio De Andrè Roberta Flack and Morgan take the opportunity to stigmatize and shame the media that has been set up against Morgan in recent months. "A Fabrizio De Andre would not have cared to know anything if someone is using drugs or not, because no one has the right to be judge, but God or the conscience of everyone, without considering that the highest form of love, as remembered sempre, è il perdono. Morgan ha sbagliato e l’ha ammesso. Il resto è ipocrisia”.

Per la sezione “Musica” di seguito i nomi dei finalisti che si esibiranno nelle 2 serate.

Il 24 settembre saliranno sul palco: Allerija con “Canzone sottovoce”, Silvia Caracristi con “Pezzi di cielo”, Maurizio Chisari con “Da grande”, Michele Marchi con “Così lontano”, Costanza Paternò con “Rude”, Carmine Torchia con “Quest’amore”. Sabato 25, Giovanna Dazzi con “Il sicario innamorato”, Humus con “Cenere al vento”, JFK & La Sua Bella Bionda con “Un certo tipo di silenzio”, Lalla Into The Garden “Da quando elisa se n’è andata”, Alfredo Marasti con “Happy Birthday” e Gianluca Massaroni, artista selezionato dalla trasmissione “Liberi Gruppi” di Popolare Network.

Questi invece i finalisti della sezione “Poesia”: Luigi Negroni, “Il Futuro”; Tiziana Gabrielli, “ I Giusti”; Adriana Vendemini, “Come una strada”; Ivano Sallusti, “Mezzo Secolo”; Antonio Manca “L'uomo cieco”; Alberto Canfora, “Chitarra”; Imma di Nardo, “Il politeismo dei valori”; Paolo Maria Cristalli, “Ma ti pare niente il mare?”; Dario Tornaghi, "When that baze 'l zel" Giulio Croce, "In five hundred" Alessio "Liliana Zinetti," In Luke, the tenderness of a special child "Enza Di Cola," If I think so. "

The Award aims to research the quality and originality, qualities required participants to express freely existing in the various musical styles, from folk to rap, from traditional ballads to rock more rampant. As in previous editions, will be given equal importance to the space devoted to poetry, expressive form in which Fabrizio De André has left unforgettable marks.

declares the President of Gianni Paris XV Hall: "E 'with great satisfaction that we can guarantee this year for the estate of the Premio De André Magliana, Municipality of Rome in the fifteenth.

For young people who perform the award represents a great opportunity to bring out their talent and for the district a chance to reassert itself as the ideal location to host music and words in memory of the great singer-songwriter who died here and that found in 2000 its square. "

Appointment, every evening, from 21.00.

All information on www.monnalisasrl.it or by writing to info@monnalisasrl.it

Communication Award Fabrizio De Andrè: Daniel
Mignardi Promopressagency
06. 32651758 - info@danielemignardi.it

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Roiss Enzo Rossi. Who is this? Nuuovi feedback (II)

Pubblichiamo nuovi e animati commenti suscitati dall’articolo “Enzo Rossi Roiss. Chi è costui?”

http://kengaragsit.blogspot.com/2010/05/enzo-rossi-roiss-chi-e-costui.html

Elisabeth said ...

Viewed comments also appeared in FB I want to clarify that Elisabeth Thatcher never wrote or signed a text dedicated to a certain Roiss Rossi. would be a big waste of time and energy.
The only time I mentioned, is stato quasi un anno fa in un mio blog, parlando di Biennale di Venezia (unica volta dove l’ho incrociato) e mi ha divertito troppo in un suo monologo. Ecco la citazione (in versione ridotta per pietà): “… ho fotografato i visitatori, ho conosciuto gente stravagante: come … Oppure un altro vecchietto … che si aggirava in mezzo alle due sedi dell’esposizione “Glasstress” e si presentava come l’organizzatore e critico di nome Rossi Roiss. Peccato che abbia parlato così tanto di se stesso che mi ha fatto insospettire e dopo una breve verifica ho scoperto che è solo un guardiano, una specie di bidello fornito insieme allo spazio, compreso nel prezzo. La Biennale è bella anche per questi cute characters. "
But I willingly hosted on my blog, and on FB this text we are commenting because I find it deliciously ironic.
Elisabeth Thatcher

June 2, 2010 9:44

Elisabeth said ...

a tenderness that makes the world shall have ten books ready for printing ever considered by anyone. Watching: "print ready" http://www.rossiroiss.it/wordpress/pronti-per-la-stampa

July 30, 2010 21:02

Anonymous said ...

alberto Agazzani

Such a Roiss Enzo Rossi, who I never met and whose existence on earth I have learned only in recent times, obsessively and compulsively continues to send and publish news about the undersigned that, at best, represent only a distorted and malevolent interpretation of reality.

the undersigned, a professional art critic and curator (with a VAT), has offered its assistance in a manner entirely free for the exhibition of so-called Venetian designs of Francis Bacon, expressing in his catalog essay, the ranks throughout history in the making of an investigation, many perplexities, confusion is obviously not shared by very clear and organizers who have found more food with the initiatives implemented by successive Christian-Lovatelli Ravarino in tune with the publisher and Christian Maretti ' lawyer Umberto Guerini. Initiatives in any way and is concerned with myself that, in fact, has denied any further involvement by closing time, permanently and clearly, any relationship with these characters.
Mr. Rossi-Roiss, I continue to reiterate that he had never known, you are allowed in an arbitrary and unfair to distribute the contents of personal communications, designed only to fuel my search for truth and my own personal study of these drawings . In doing so it allows me to express the views of all crazy because, unlike her, my employment history has been confirmed by twenty years of activity, with hundreds of exhibitions held worldwide and over one hundred publications within which the story of Venetian drawings Bacon is very laughable.
I never meant nè inventarmi nè spacciarmi per baconologo tout-court, come asserisce il signor Rossi Roiss, essendo il mio precipuo interesse e la mia attività indirizzate principalmente verso l'arte contemporanea e non la storia dell'arte (antica, moderna e contemporanea) propriamente detta. Ciò non toglie che l'incessante studio e approfondimento della storia dell'arte rimangano la base imprescindibile del mio mestiere ed in quest'ottica va inteso il mio interesse anche verso la vicenda intrigante dei sedicenti disegni bolognesi di Francis Bacon.



I doni, natalizi e non, ricevuti spontaneamente da Cristiano Lovatelli Ravarino, che lui poco elegantemente e inopportunamente ha avuto il pessimo gusto di elencare, rinfacciandoli di fatto, in his delusional taken as written by Rossi Roiss madly in one of his many blogs, they were obviously caused by his unreasonable as unwarranted sense of gratitude to my person, in a personal relationship (not intimate, precise) in any way due to my experience in Venice.

Mr. Rossi-a shows Roiss scorretezza, a rancor, a ferocity and tenacity against a Lovatelli Ravarino and his drawings, which manifests itself in the obsessive malevolence of partial information and again spread malicious (involving persons well beyond the scope of His personal war bitterness and looking good from the replies received to publish) that have little to do with the serenity and clarity that I believe essential for the proper conduct of any inquiry into serious and balanced. This

much to clarify.

August 18, 2010 20:42

Anonymous said ...

alberto Agazzani

PS In June of 2009 I was asked a willingness to occupy the chair Councillor for Culture of canteen by the deputy mayor of the future, share in the Northern League (which I have been on the list of candidate as an independent - I was a member of the Executive Department of Culture of the PDL at the time of Lombardy - and elected to second preferences, director of the historical city of Reggio Emilia, a position for which I had just proposed), which was politely refused availability, not observed to hold that office nor interested in additional activities other than those it already carries. On this issue Mr Smith Roiss maliciously distorted the facts.

August 19, 2010 9:46

Anonymous said ...

Roiss Mr. Rossi continues to fill up blog blog declaring that he had denounced Alberto Agazzani for this paper. I understand the attempt to silence inconvenient voices (or to extort money they can give it some 'oxygen), but I doubt that any court may find something illegal in this paper. Agazzani first because it relates to the views of Roiss and secondly as it relates to himself, he does express personal opinions in turn, that, like it or not all'arzillo Enzo, representing its free-thinking and in no way contain elements liable. It should, however, pay attention to senior nots: do not fall into the trap because of his obsessive provocation to earn money through civil complaints seems to be the real target (and source of income, of course).

August 23, 2010 17:18

Luigi said ...

I am fortunate to not have ever been involved with this shady character and I thank you for the valuable information to keep in mind for the future of us all. Louis F. Canepa

August 25, 2010 11:02

Silvia said ...

few people like Alberto Agazzani correct, I thank him personally to warn the artists by frightening people with the courage to do so first and last names ... There are already lots of galleries of the artists who take advantage, if you agiunge also an endless list of "phenomena" like passing the desire to remain part of this world ... I do not understand why such a person did not ' have yet to stop once and for all ..

August 25, 2010 15:54

Anonimo ha detto...

Mi fa sorridere che proprio il signor Agazzani sottolinei l'articolo.Tra lui e il signor Rossi non so chi sia peggio.Fate una ricerca e vedrete che i due personaggi fanno a gara per le cose dette, le bugie, le violenze verbali e fisiche, le denunce, la presunzione,

Consiglio, lasciate perdere tutti e due e vivrete meglio.

Saluti



Marco Verrani

25 agosto 2010 20:32

Anonymous said ...

The bad luck is that unfortunately some of those silly volumes has been achieved. as a graphic artist, I found myself having to do with him. Publishing non-existent, never paid accounts. A poor short to make ends meet that poses as art critic, Villante knowledge and skills that really did not. In this, a great capacity to be recognized. but it is highly dangerous to stay away if we do not want to put some money.

September 9, 2010 21:08

Anonymous said ... By Steve

then add my own testimony as a translator: ever paid for a translation commissioned by Rossi Roiss, teased for months. After some years a friend Printer me nominated him in conversation as a potential customer, is strongly discouraged. The printer may fall anyway. Result: one of his absurd book printed and then sent for pulping. His technique is this: work orders, when the book is ready to pay a small deposit and withdraw some copies to make the presentation in full regalia, so for the "public" the book already exist. Remaining copies never paid and never withdrawn. But on its website the book is sold out, so how was ancestral a great success. It is not evil? Steve

September 11, 2010 10:57

Bologna said ... He

hah ha! But you know who your audience? The barber, the butcher, the cobbler, etc. .. The presentation serves to scrape together a few euros at these great players. The barber who always shows his books is even convinced that red is roiss console or maybe even the Ambassador of Latvia! He hah ha!

September 11, 2010 14:06

Own Wrestling Promotion

29/09/2010 02/09/2010 20/07/2010


spectators, four or five


The minutes of the previous sessions were approved without any comment because, in fact, there were only the devices of the resolutions as interventions were not recorded for the non-functioning of registrazione.Il second point on the subdivision IP5 (Via locker) - Adoption of the implementation plan has been withdrawn (!).

The third point relating to 'direct intervention Luigi D'Agnano C.da locker. Approval scheme for implementing the Convention forecast urban area 5, area 11, the PRG (creation of footpath) voted in favor because it is a continuity with previous intervention, that is the continuation of the sidewalks to 'beginning of C.da locker which had already been approved once before.

We abstained on the fourth item on the 'approval project to build a public sidewalk in C.da locker, SP9 road. Deed of exchange of municipal area with an area of \u200b\u200bprivate property "CRT Real Estate Ltd". Action taken as exchanges in the areas covered there seemed so strategic.

We abstained on even ' final adoption of rules teciche variant of implementation of the master plan on the implementation of non-residential areas (such as verandas and porches) .

Instead, we voted against the sixth point on the purchase of property in Via Nazario Sauro because the property is purchased for the sole purpose to bring it down in order to achieve (Protected) parking .

also voted against the seventh item on the conclusion of a bank guarantee to guarantee the purchase of the photovoltaic plant on the ground. We considered not sufficient explanations as to why the City enters into a surety to guarantee a loan that will be acquired dall'Agugliano Services and cost the same, according to what the Mayor said, can range from 0 to € 37,500 ...

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ARMENIANS. International exhibition of contemporary art

CASTEL DELL 'OVO

Via Eldorado, 3 - Naples

11 to 28 September 2010

by Giacomo Carlo Tropeano and Oksana Gazizullina

inaugurazione sabato 11 settembre 2010 ore 17.00

artisti partecipanti:

Khachik Abrahamyan, Khachatur Aghamayan, Fridon Aslanyan, Gagik Badalyan, Aaron Grigorian, Lilit Hovhannisian, Eduard Manukyan, Vardan Voskanyan (RUSSIA), Ashot Avagyan, Ashot Bagdasaryan, Garegin Davtyan, Marine Dilanyan, Armen Dermenjyan, Gagik Ghazanchyan, Albert Hakobyan, Grant Mirzoyan, Lilit Soghomonyan (ARMENIA), Gor Avetisyan, Gaguik Tonian ( REPUBBLICA CECA), Garen Bedrossyan (CANADA), Samvel Saghatelyan (USA), Gazizullina Oksana

Per informazioni: 3393980174-3463036703

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The controversial matter of the drawings by Francis Bacon, more ...

response Cristiano Lovatelli Ravarino Arruzzo to Gabriel on his speech on the issue of drawings by Francis Bacon.

in squalid arena this summer in which some critics have addressed the matter of the drawings by Francis Bacon regalatimi perhaps what struck me most was the incredible creativity defamatory -I thought we had only aesthetic of an artist well- some talent as Gabriele Arruzzo ... this is the significant correspondence where Gabriele climbing on its opaque mirrors trying to justify ...

Cristiano Lovatelli Ravarino

Response Ravarino the letter made public by Arruzzo Rossi Roiss

Dear Gabriel I always use to say that the story of the designs of Francis Bacon has allowed me to know the best and worst people of the world, I confess that you do not know how to classify them, perhaps like the one that I thought might be a good artist who certainly will be even but it was also unexpectedly revealed a person of incredibly capable in the arena of action lies by Mr. Roiss you saving because if you give me the things I have to do a little more interesting. Anyway: is false that I'd call two or three times a day ... I will have it done because after all you I had tried seemed to me an artist and above all interesting wanted to introduce you to a collection of Pesaro Lille Gradari who doted on the art and for his city. It 's a sad mischief that I could have told you that the cry of memory is largely invented for the simple reason that that's how I've never said and certainly if he had somewhere "colorful" would not have trusted a stranger to say that rested honored to know who had attended Bacon ... I have said, yes, that was less a history of the drawings that Bacon's story of me as a journalist at that time ... I've come up with said it was all a lie is a complaint or compassion for what is your opinion of current capacity, style, and how to get around ... So I hatches as a grotesque enough that you have "wooed" to sell you a design as you know it's exactly the opposite ... I accepted your enthusiastic passionate requests for e-mail to friends to come and visit one of your shows in Milan, where things like your collectors and also involved great promoter of art (that you've done just in time to offend, such as Gianfranco Farioli). committing error undoubtedly a brand I had the feeling you want to buy a drawing, but I had little money ... to estimate for what then seemed like a real talent you I offered it to a symbolic price (by the way I keep the check for an heir that is achieved through just Venosta Farioli I had acquired a right in those days at that price ten times, I did not need circuit you!) perchè ho sempre ricordato che gli unici quadri che Bacon aveva dato via a prezzi simbolici a costo di far indispettire la Marlborough era a giovani talenti che stimava e in questo mi sembrava di rispettare la sua memoria... Ho scambiato in questi anni un disegno anche di piccole dimensioni per grandi tele di artisti del calibro di Leonardo Cremomini,Concetto Pozzati,Pirro Cuniberti, Antonio Saliola, Wolfango... scusami se essendo tu a differenza di loro uno sconosciuto ho pensato più consona una cifra simbolica. E’ anche falso che io sia scomparso dopo che tu avevi fatto presente una situazione economica talmente poco felice da non poterti permettere anche solo cifre simboliche ma è vero il contrario, che a non farsi più vivo sei stato tu. Lo hai fatto indirettamente dopo anni in un modo che mi chiedo quanto ci metterai a capire che ha leso per sempre -almeno a mio modesto giudizio- la tua immagine.

cristiano lovatelli ravarino

(ah, of course, the journalist who has checked your e-mail with the gallery owner Patrick Modena was me, once I really thought to write about yourself on important magazines)

- Original Message -

From: "Gabriele Arruzzo"

To: "cristiano lovatelli"

Sent: Tuesday, August 17, 2010 3:49 PM

Subject: Re:

Caro Cristiano,

se c'è uno che qui merita Compassion is Mr Smith-Roiss which published the text and photos by mail that they were to remain private. You do not know what makes me angry to know that quell'estratto mail and the photos are on the web. When she told me that he intended to publish them I shall have explicitly said no. Then after some time I have found in the network without being able to do anything ... If you look (I hope it has not erased ...) the first comment to his blog ( http://lampisterie.ilcannocchiale.it/post/2517968.html ) read a complaint about my but now the omelet is done. Do not mean to make you look like a snake-oil ... if from the beginning, I knew that it would pubblicato quello che ho scritto avrei certamente usato un altro tono. Se leggi bene tra le righe noterai che io rimarco il mio stare in "una terra di mezzo" in questa delicata questione. Non voglio schierarmi con nessuno perché mi mancano elementi che mi possano dare una chiara prospettiva delle cose. Non so se questi benedetti disegni siano autentici, non so se siano falsi. Mi incuriosiscono, mi piacciono, questa storia m'intriga e ho sempre cercato di capirne di più.

Ho contattato Rossi-Roiss per lo stesso motivo per il quale ho contattato te: saperne di più sul suo libro. Per me siete due faccie della stessa medaglia. Al signor Rossi-Roiss ho posto delle legittime domande da uno che vuole cercare di far luce in questa storia e alla fine sono stato used, I have sinned naive. That this happened years later sorry me first, I can understand the idea of \u200b\u200bgiving a kind of stab in the back, but I had no intention to hurt anyone. But I take responsibility for what I wrote. It 'true that you called me twice a day. It 's true that after that there was "lack of understanding on non-purchase" (call it so, but I swear, I do not want to be controversial) we have not heard. It 's true that "you've taken the liberty" (your words that I remember well) when you wrote the scream of Memory. But I have lived with this anger and regret as it seems from the way in which the red-Roiss put my mail in his post, I of these things I have written without malice that he wanted to retort to you, believe me. You cherish good memories and I've always loved this way you do over the top, the "character" of which I speak comes out even pretend journalist Artnews to get my mail ... I appreciate the fact of having written more than talk on the phone, so at least we are all more calm and quiet and you can better weigh the answers. You know I still feel sorry for what happened with your friend Farioli? I hope that the designs of the Master one day be authenticated can not be disputed and I will eat your hands for not having taken advantage of the occasion.
Greetings to you,
G.

Dear Gabriele

if you had tried to inform each other decently on my interlocutors would choose not indecent and that anyone in Italy - but you know-such as ... That I am "the other side of the coin" of a case psychological as red roiss tell that to your grandmother or your ignorance only compassionate why do not complaint ... There are exhibitions of my drawings of Bacon around half the world right now and I'm going to England when I sleep in the castle of the heir Bacon David Edwards ....

The truth is that you want to flaunt this contact in a narcissistic bully and rude ... quite another thing to remember is that I may have described my little book reminiscent of fifteen years ago, "written over the top" (well, in fact, speak more than terrorism and espionage journalism that Bacon and his drawings) than I put in my mouth I confessed to a completely unknown that it was "largely invented ... and as I would insist that your flooded with phone calls (it is not clear what purpose and why) I did a check having friends in the Telecom ... There were two calls at once just because I think I wanted to succeed then-without-organize a meeting between you and an extraordinary collection of Pesaro Gradari Lilla ... developments seen much, much better that way ...

I do not pretend to write for magazines I write for American art American art magazines just do not know why your e-mail at the beginning of the blog was not working and I have been in touch with your drafting a gallery using my name because you know maybe it was never updated on the beautiful already met you were doing swim in the small pool defamatory of Mr. roiss red ....

Any how best wishes

Christian Lovatelli Ravarino