Tuesday, September 14, 2010

New Plastic Smell Shower C

Roiss Enzo Rossi. Who is this? Nuuovi feedback (II)

Pubblichiamo nuovi e animati commenti suscitati dall’articolo “Enzo Rossi Roiss. Chi è costui?”



http://kengaragsit.blogspot.com/2010/05/enzo-rossi-roiss-chi-e-costui.html



Elisabeth said ...

Viewed comments also appeared in FB I want to clarify that Elisabeth Thatcher never wrote or signed a text dedicated to a certain Roiss Rossi. would be a big waste of time and energy.
The only time I mentioned, is stato quasi un anno fa in un mio blog, parlando di Biennale di Venezia (unica volta dove l’ho incrociato) e mi ha divertito troppo in un suo monologo. Ecco la citazione (in versione ridotta per pietà): “… ho fotografato i visitatori, ho conosciuto gente stravagante: come … Oppure un altro vecchietto … che si aggirava in mezzo alle due sedi dell’esposizione “Glasstress” e si presentava come l’organizzatore e critico di nome Rossi Roiss. Peccato che abbia parlato così tanto di se stesso che mi ha fatto insospettire e dopo una breve verifica ho scoperto che è solo un guardiano, una specie di bidello fornito insieme allo spazio, compreso nel prezzo. La Biennale è bella anche per questi cute characters. "
But I willingly hosted on my blog, and on FB this text we are commenting because I find it deliciously ironic.
Elisabeth Thatcher

June 2, 2010 9:44

Elisabeth said ...

a tenderness that makes the world shall have ten books ready for printing ever considered by anyone. Watching: "print ready" http://www.rossiroiss.it/wordpress/pronti-per-la-stampa

July 30, 2010 21:02


Anonymous said ...

alberto Agazzani

Such a Roiss Enzo Rossi, who I never met and whose existence on earth I have learned only in recent times, obsessively and compulsively continues to send and publish news about the undersigned that, at best, represent only a distorted and malevolent interpretation of reality.

the undersigned, a professional art critic and curator (with a VAT), has offered its assistance in a manner entirely free for the exhibition of so-called Venetian designs of Francis Bacon, expressing in his catalog essay, the ranks throughout history in the making of an investigation, many perplexities, confusion is obviously not shared by very clear and organizers who have found more food with the initiatives implemented by successive Christian-Lovatelli Ravarino in tune with the publisher and Christian Maretti ' lawyer Umberto Guerini. Initiatives in any way and is concerned with myself that, in fact, has denied any further involvement by closing time, permanently and clearly, any relationship with these characters.
Mr. Rossi-Roiss, I continue to reiterate that he had never known, you are allowed in an arbitrary and unfair to distribute the contents of personal communications, designed only to fuel my search for truth and my own personal study of these drawings . In doing so it allows me to express the views of all crazy because, unlike her, my employment history has been confirmed by twenty years of activity, with hundreds of exhibitions held worldwide and over one hundred publications within which the story of Venetian drawings Bacon is very laughable.
I never meant nè inventarmi nè spacciarmi per baconologo tout-court, come asserisce il signor Rossi Roiss, essendo il mio precipuo interesse e la mia attività indirizzate principalmente verso l'arte contemporanea e non la storia dell'arte (antica, moderna e contemporanea) propriamente detta. Ciò non toglie che l'incessante studio e approfondimento della storia dell'arte rimangano la base imprescindibile del mio mestiere ed in quest'ottica va inteso il mio interesse anche verso la vicenda intrigante dei sedicenti disegni bolognesi di Francis Bacon.



I doni, natalizi e non, ricevuti spontaneamente da Cristiano Lovatelli Ravarino, che lui poco elegantemente e inopportunamente ha avuto il pessimo gusto di elencare, rinfacciandoli di fatto, in his delusional taken as written by Rossi Roiss madly in one of his many blogs, they were obviously caused by his unreasonable as unwarranted sense of gratitude to my person, in a personal relationship (not intimate, precise) in any way due to my experience in Venice.

Mr. Rossi-a shows Roiss scorretezza, a rancor, a ferocity and tenacity against a Lovatelli Ravarino and his drawings, which manifests itself in the obsessive malevolence of partial information and again spread malicious (involving persons well beyond the scope of His personal war bitterness and looking good from the replies received to publish) that have little to do with the serenity and clarity that I believe essential for the proper conduct of any inquiry into serious and balanced. This

much to clarify.

August 18, 2010 20:42


Anonymous said ...

alberto Agazzani

PS In June of 2009 I was asked a willingness to occupy the chair Councillor for Culture of canteen by the deputy mayor of the future, share in the Northern League (which I have been on the list of candidate as an independent - I was a member of the Executive Department of Culture of the PDL at the time of Lombardy - and elected to second preferences, director of the historical city of Reggio Emilia, a position for which I had just proposed), which was politely refused availability, not observed to hold that office nor interested in additional activities other than those it already carries. On this issue Mr Smith Roiss maliciously distorted the facts.

August 19, 2010 9:46


Anonymous said ...

Roiss Mr. Rossi continues to fill up blog blog declaring that he had denounced Alberto Agazzani for this paper. I understand the attempt to silence inconvenient voices (or to extort money they can give it some 'oxygen), but I doubt that any court may find something illegal in this paper. Agazzani first because it relates to the views of Roiss and secondly as it relates to himself, he does express personal opinions in turn, that, like it or not all'arzillo Enzo, representing its free-thinking and in no way contain elements liable. It should, however, pay attention to senior nots: do not fall into the trap because of his obsessive provocation to earn money through civil complaints seems to be the real target (and source of income, of course).

August 23, 2010 17:18

Luigi said ...

I am fortunate to not have ever been involved with this shady character and I thank you for the valuable information to keep in mind for the future of us all. Louis F. Canepa

August 25, 2010 11:02


Silvia said ...

few people like Alberto Agazzani correct, I thank him personally to warn the artists by frightening people with the courage to do so first and last names ... There are already lots of galleries of the artists who take advantage, if you agiunge also an endless list of "phenomena" like passing the desire to remain part of this world ... I do not understand why such a person did not ' have yet to stop once and for all ..

August 25, 2010 15:54


Anonimo ha detto...

Mi fa sorridere che proprio il signor Agazzani sottolinei l'articolo.Tra lui e il signor Rossi non so chi sia peggio.Fate una ricerca e vedrete che i due personaggi fanno a gara per le cose dette, le bugie, le violenze verbali e fisiche, le denunce, la presunzione,

Consiglio, lasciate perdere tutti e due e vivrete meglio.

Saluti



Marco Verrani

25 agosto 2010 20:32



Anonymous said ...

The bad luck is that unfortunately some of those silly volumes has been achieved. as a graphic artist, I found myself having to do with him. Publishing non-existent, never paid accounts. A poor short to make ends meet that poses as art critic, Villante knowledge and skills that really did not. In this, a great capacity to be recognized. but it is highly dangerous to stay away if we do not want to put some money.

September 9, 2010 21:08


Anonymous said ... By Steve


then add my own testimony as a translator: ever paid for a translation commissioned by Rossi Roiss, teased for months. After some years a friend Printer me nominated him in conversation as a potential customer, is strongly discouraged. The printer may fall anyway. Result: one of his absurd book printed and then sent for pulping. His technique is this: work orders, when the book is ready to pay a small deposit and withdraw some copies to make the presentation in full regalia, so for the "public" the book already exist. Remaining copies never paid and never withdrawn. But on its website the book is sold out, so how was ancestral a great success. It is not evil? Steve

September 11, 2010 10:57

Bologna said ... He

hah ha! But you know who your audience? The barber, the butcher, the cobbler, etc. .. The presentation serves to scrape together a few euros at these great players. The barber who always shows his books is even convinced that red is roiss console or maybe even the Ambassador of Latvia! He hah ha!

September 11, 2010 14:06


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